Might not be in the back of the bus
But it sure feel just the same
Ain’t nothing fair about welfare,
Ain’t no assistance in aids
Ain’t nothin’ affirmative about your actions
Till the people get paid
Prince was a great musician
“Prince came in, and he said to the labels, ‘Do not try to just put me with the urban group; I want the world. I want to be with the pop staff. I’m going to make rock and roll, as well as soul, as well as funk… I don’t want to just go to Soul Train, I don’t want to just open up for Rick James, I want to be on Dick Clark.’”
But more importantly, Prince was a great activist
“[Prince] helped so many people. Most people don’t know that. He wanted to keep his charitable activities a secret. He wanted to keep his passion for underprivileged people between him and his god.”
“We spent hours talking about [Prince’s] concerns about technology and getting those skills to inner city youth.”
Often in the United States, Black activists don’t fare too well
For example Black Panther leader Fred Hampton was murdered by the Chicago police and the FBI.
It’s not a crime to murder Black organizers in an operation run by the national political police…. Just compare the coverage and the memory of just these two events, Watergate and the Hampton assassination, you learn a lot about the prevailing immortal and intellectual culture.
~ Noam Chomsky
The sky was all purple
There were people runnin’ everywhere
Tryin’ to run from their destruction
You know I didn’t even care
They say two thousand zero, zero
Oops, out of time
So tonight I’m gonna party like it’s 1999
In 1999 worldwide music revenue was $27 billion, in 2014 it had dropped to $15 billion. Most blame Napster for this decline, but if you dig deeper you will find that Wall Street and government policy are the actual cause of the steep decline in music revenue. The death of Prince is a metaphor for the death of music and especially Black music.
From WNYC’s Soundcheck we heard that “There Were No Black Artists With Number One Singles in 2013:”
2013 marked the first-ever year since Billboard began charting Top 40 songs in 1958 that zero black artists made their way to the top of the singles chart.
The top spot on the Hot 100 — today’s version of the singles chart — was dominated by white acts throughout the past year. Perhaps even more intriguing is the fact that white artists even sat atop the R&B and Hip-Hop Songs chart for 44 out of 52 weeks of 2013. Compare this to ten years ago, when every No. 1 Hot 100 single was performed by an artist of color.
Corporate culture is not conducive to developing musical talent and it is especially terrible at developing African-American musical talent. Chris Blackwell, founder of Island Record, quoted in The Song Machine by John Seabrook:
I don’t think the music business lends itself very well to being a Wall Street business. You’re always working with individuals, with creative people, and the people your are trying to reach, by and large, don’t view music as a commodity but as a relationship with a band. It takes time to expand that relationship…